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Patience
You are being watched. The phone is ringing. You are still being watched. The phone is still ringing. Is it you watching? The phone is still ringing. Or is it you being watched? The phone is still ringing. You are on a display. The phone is still ringing. Are you on a display? The phone is still ringing. There’s a blue line. The phone is still ringing. There’s a black line. The phone is still ringing. There’s a white line. The phone is still ringing. And a splash of unknown colour. The phone is still ringing. Can you see the light? The phone is still ringing. There’s a light coming from the rupture of the fabric of space. The phone is still ringing. The light consists entirely of time. The phone is still ringing. Are you being illuminated? The phone is still ringing. Are you illuminating everything around you? Shining like a crazy diamond? Pick up the phone. The tiny sparks are there. Just like stars. There are many. Will you talk? Will you listen? Am I a star? Are you? Will you sing for me? Stars don’t sing. I will.
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“Uproar group” (LT)
As a creative entity, Uproar emerged through artistic collaboration between Gintarė Šmigelskytė and Paulina Simutytė who presented their performance-art installation Erdvė. Kūnas. Mėlyna (Space. Body. Blue) in 2022. As two other members – composer Ignas Juzokas and filmmaker Kornelijus Jaroševičius – joined, the quartet launched two more premieres, Vilniaus balkono siurrealybė (The Surreality of a Vilnius Balcony) and Uproar, the latter giving the name to the group.
Gintarė Šmigelskytė is an actress, choreographer, and dancer. She studied at the Vilnius College and the Royal Academy of Dramatic Arts. For the sake of art, she is able to transform herself into a paintbrush in flesh.
Painter, scenographer, and singer Paulina Simutytė a ppears in the productions of musical theatre and loves interdisciplinary arts, particularly visual. Her painting style is mostly abstract with an emphasis on associativity, the main topics being dream-like, archaic, and existential visions.
Composer Ignas Juzokas also works as a sound designer and visual artist. In his endeavours to create the never-heard, he synthesizes new sounds on his modular performance system connected to data input devices, such as cameras and motion sensors, in order to control sonic and structural parameters while conjuring video streams with the help of the sounds.
Film and theatre director and visual artist Kornelijus Jaroševičius i s known for his remarkably delicate yet powerful video content reflecting his experience as to what should be shown and hidden. He works with other theatre directors as a visual artist.
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Gintarė Šmigelskytė (LT)
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Photo credits: Tobiasz PapuczysGintarė Šmigelskytė is an actress, choreographer, and dancer. She studied at the Vilnius College and the Royal Academy of Dramatic Arts. For the sake of art, she is able to transform herself into a paintbrush in flesh.
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Paulina Simutytė (LT)
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Photo credits: Rytis ŠeškaitisPainter, scenographer, and singer Paulina Simutytė a ppears in the productions of musical theatre and loves interdisciplinary arts, particularly visual. Her painting style is mostly abstract with an emphasis on associativity, the main topics being dream-like, archaic, and existential visions.
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Ignas Juzokas (LT)
Photo credits: Mantas GudzineviciusComposer Ignas Juzokas also works as a sound designer and visual artist. In his endeavours to create the never-heard, he synthesizes new sounds on his modular performance system connected to data input devices, such as cameras and motion sensors, in order to control sonic and structural parameters while conjuring video streams with the help of the sounds.
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Kornelijus Jaroševičius (LT)
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Photo credits: J.StacevičiusFilm and theatre director and visual artist Kornelijus Jaroševičius i s known for his remarkably delicate yet powerful video content reflecting his experience as to what should be shown and hidden. He works with other theatre directors as a visual artist.